This interview originally appeared in Blackjack Forum in 2003.
The last bet Darryl made as part of a Ken Uston team was in December of 1979, yet he says that reputation haunts him to this day. In Million Dollar Blackjack, Ken named Darryl as one of the four best blackjack players in the world, but playing with Ken, “was not a badge of honor,” says Darryl. “Still, the reason you want to interview me is because I was part of the Ken Uston team.”
It’s true. That is why I wanted to interview Darryl. But then I heard the stories of what happened after 1979. Stories that will take you from Moscow to Sri Lanka. Blackjack tales of the Sicilian Mafia, the Russian Mob, the Japanese Yakuza, and the Tamil Tigers who invented suicide bombing. Matter-of-fact stories of running over to Caesars Palace to play a hole card because he needed a down payment on a house, or winning a million dollars with Thor, a shuffle-tracking computer. For Darryl it was just his job. “My job was to play until they didn’t allow me, and then take the money home. I really didn’t consider whether it was dangerous.”
Now Darryl is retired from blackjack. He hasn’t played a hand in four years. You wouldn’t know that from the Griffin fliers that continue to pop up claiming a Darryl sighting in Reno, or St. Louis, or New Orleans. Darryl now does 150 concerts a year as a touring singer/songwriter. I’ve seen him in concert, and his audience is mesmerized by his tales of traveling the world playing his guitar, and yes, blackjack. He’s quite funny in concert, and the songs are excellent. US Air in-flight magazine, Attache, featured Darryl in the August 2003 issue. They said, “Take Darryl Purpose for example—he has the voice of James Taylor, the brains of Bob Dylan, and the soul of Willie Nelson.”
You can purchase his CDs or check out his concert calendar at darrylpurpose.com.
RWM: How did you first get interested in blackjack?
Darryl: My mother put a copy of Beat the Dealer in my Christmas stocking when I was 16. I was interested in cards and games, and I had a natural talent for math, so it appealed to me. I’ve since forgiven her.
RWM: You couldn’t play at that age.
Darryl: Right. I was a little bit lost when I got out of high school, but I signed up for college. I was a classical guitar major. My left hand started to hurt for some reason, and they put a splint on it. I had only one hand to use, so I practiced finger picking. Then my right hand went. So there I was a classical guitar major at Cal State Northridge, with splints on both hands. I dropped out of school, got in my ’62 Chevy, and headed to Vegas. I had $50, a couple of shirts, and my guitar.
RWM: Were you 21?
Darryl: I was 19. I spent the $50 to get a room for a week downtown. I wandered around living off the freebies. I was a regular at Centerfold’s free breakfast, from 6 a.m. to 9 a.m. I eventually landed a job selling ballpoint pens in a phone room. Of course they didn’t pay you right away. They paid you a commission the following week. I was on the street for a little while. Then I was offered a room with two of the guys who worked there. I lived with a guy who wanted to be Evel Knievel, and another guy who’d come from Wisconsin with photos of the wife and children who died in a traffic accident. Months later we found out that it was all a lie. He was just running away, like so many others that end up in Vegas.
RWM: When you say, “on the street,” do you mean sleeping in your car?
RWM: You had learned to count already?
Darryl: I had read Thorp’s book. I was a bad counter like thousands of other people. I thought I knew something about counting, and I thought that maybe it was enough. That night I was the kind of counter that made Las Vegas. From there it was a year and a half of working this phone job, and regularly losing my paycheck. But each time I lost, I tried to learn more about the game. I was so immersed in the game of blackjack, I remember having a recurring dream of being chased around by a giant eight of clubs. I was living week-to-week, and never making any money. Eventually, I became proficient with Hi-Opt 1.
Darryl: That came from a guy I worked with in the boiler room. His name was Marcus Dalton. He was the same guy that I heard mention professional teams, and Uston’s team specifically. The only useful technical information that was available at that time was Revere’s book, and anyone who was serious about blackjack was using the Revere Advanced Point Count. I was about to learn it when I found out about the Hi-Opt. Lance Humble had written a paper; it was no more than a few pages, but it had all you needed, including the count, the decision numbers, and the tests that Julian Braun had run to show that it was almost as powerful as the Revere Advanced Point Count.
RWM: What about the High-Low?
Darryl: I don’t know when Stanford Wong’s book came out. I didn’t read it until years later, but by that time I was already playing professionally. I wasn’t interested in learning about a count that wasn’t as powerful as the one I was using. I was learning about how to get the money from people who’d done it in casinos, and from being in the casinos myself. Also, the High-Low did not include a side count of aces, and we were playing lots of single-deck so we needed that.
[The ace has a dual nature in blackjack. It should be counted as a high card for the sake of betting, but should be counted as a low card for the playing decisions. Counts that include a side count of aces aren’t necessary for multiple decks, because very little of the player advantage comes from varying the play of the hand.]
RWM: What year did you get the Hi-Opt 1?
Darryl: Probably 1976.
RWM: How did you go from hearing about professional teams to being a member of one?
Darryl: I loved playing graveyard downtown during that time. They were generally pretty cool about small stakes counters. Steve Wynn would be on the floor at the Golden Nugget. He could count down a deck himself, and he would talk to you about it. He’d let me go one to four in dollars on the single deck.
Although I had only heard of professional teams, Art had met a guy in the Bay Area who was one of the big players on the Ken Uston team. One day Art told me that the best BP from the Ken Uston team was living in the same apartment complex as me. It was a crummy little complex called Enchanted Gardens. I went around the corner, and knocked on this guy’s door. I said, “Hi, I’m Darryl. I’m your neighbor, and I play blackjack.” His name was Ron Karr. He was a nice guy, and he invited me in. I was asking him about cheating, because we were losing and didn’t understand why. He gave me advice, and I went on my way. A week later I knocked on the door a second time. Of course I had some questions, and he offered me a job. He offered me $25 per shift to count down decks, and call in the big player. I pulled Art into that also. So we counted down decks for players on Ron’s team. I called my mother, and said “Mom, I’m a professional blackjack player.”
RWM: Ron was not playing with Ken at this point?
At some point we got invited to this big meeting with Ron. It was all very dramatic, and they revealed that they were working on a shuffle-tracking computer. Art and I were invited to be part of that team. The way they were going to split the money was different from all the investor/player things we had done before. It had always been very simple and clear. Half the money went to the investors, and half went to the players. That is how it was in my career for a long time. What this team was suggesting was that everyone was assigned a percentage based on their importance to the team, and how long they had been involved. Down at the bottom of the list were Art and me who would each get a small percentage of the win. It was a generous offer. We were nobody. Why would they even want to include us?
RWM: But you were going to have to put in hours.
RWM: Did that computer ever come into existence?
Darryl: No. So I made the right decision as it turned out.
RWM: So, now you must go meet “the great Ken Uston.”
Darryl: Exactly. He was already the world’s most famous blackjack player. Of course that was because none of the real blackjack players want to be famous. That didn’t matter to me. I was totally in awe of him. It was like hearing that Stevie Wonder needed a player in his band, and getting an audition. I counted really well at the time. I quickly made my place on the team because I tested so well.
RWM: Tell me about the first meeting.
Darryl: I might have just met his partner Bill first. I don’t know about the best blackjack player in the world, but if I had to pick one guy who could get the money from a casino, Bill might be that guy. Just a few years before this, Bill had won a casino in France. [This is the same “Bill” that Al Francesco spoke so highly of in his interview.]
RMW: He won a casino?
Darryl: Yeah, the owner just didn’t believe that counting cards worked, and he let Bill play. Finally, he signed the casino over to Bill. Ken was more of a figurehead, and Bill was running the team. They were operating out of the Jockey Club, and the stories of Ken and the Jockey Club were mythic. All the debauchery and excellent card playing combined in this mysterious scene full of shag carpeting. I got to the Jockey Club, and it was just as advertised.
RWM: Debauchery and card playing?
Darryl: Drugs, women, and really good card counting. It was all new to me. I was so young, and green, not just in blackjack but in life experience.
RWM: Drugs and gambling sound like a dangerous mix.
Darryl: Although there were a lot of drugs and alcohol around, we had strict rules about not mixing them with playing. I never drank, and didn’t do many drugs either. But when I was taking the money off I would often order a gin and tonic, take it to the bathroom and pour it out in the sink, and replace it with water. In Atlantic City just before the second no-barring period we thought we should go a step further. We brought in a play-caller for me, so I could actually drink. I ordered and drank four gin and tonics before the first one hit me. I don’t remember what happened, but I hear I was a very funny drunk.
RWM: Do you remember what your test was?
Darryl: It’s not clear in my mind, but I’m sure it was counting down shoes. Also, they would flash hands at you on a slide projector, and you had to tell them the index numbers. Then they would deal hands to you, and check the cards left at the end of the shoe. They were looking for people to call plays for a big player. That began my training for calling plays. I’ve probably called more plays than I have played myself. I don’t think I called plays for Ken as a BP because he was already too hot. Ken and Bill were running the team, but we had other BPs.
The BPs were always people who looked like they should be betting a lot of money at the blackjack tables. Trying to look like high rollers as young twenty-somethings was comical at best. We tried to dress up, but we weren’t very good at it. We’d buy an expensive pair of shoes, but there was always something a little off. We wished we were older, or Chinese or something. The BPs solved that problem. I even turned out my mother as a BP later in my career. What a relief it was not to have to bet the money myself, and Bill started calling me Chunk because of my proclivity to have the BPs “chunk” the money out there.
The downside of this was that they sent me out on my first plays into incredibly steamy situations with BPs that were already very hot. I was barred right away, and they knew I was part of the Ken Uston team. Within weeks I was completely Griffinized for life. My picture was in most casinos in the world before I’d turned 22.
RWM: Did you have any hard barrings?
Darryl: I had a wide variety of barrings. There was a time in Monte Carlo—I took my friend Kim with me. It was our first date. She was afraid that we might be pulled up, but I told her, “Don’t worry. They’ll just tell us we’re too strong for them, and ask us not to play.” Sure enough, I sensed that something was coming down, and we tried to get out of the casino. This guy came running up to us, and in a severe French accent said, “Excuse me sir, but we will ask you not to play blackjack here again. You are too strong for us.” He’d used the exact words I had. For the rest of that trip Kim was flexing her biceps and saying, “We’re too strong!” They invited us to stay at the hotel—full comp. Of course I didn’t tell her about the time at the Dunes that I’d been pulled into the back room by the same security guard who beat up Mark Estes at the Hilton. He sat there with a pair of pliers, and we talked about Mark, and old times.
Darryl: It was an implied threat. He was sitting at his desk in an office. There was no reason for him to have a pair of pliers. He was trying to talk me out of some money. Eventually I was arrested for disturbing the peace, but they dropped the charges.
RWM: Did you call your Mom?
Darryl: No. At that point it wasn’t fun anymore. The difference between playing music and playing blackjack is that when you get good at music, they ask you to come back. When you get good at blackjack… It’s very wearing psychically to constantly be treated as persona non grata.
One time I was calling plays on the single-deck at Caesars. I was betting quarters while the BP was betting thousands on the other side of the table. At some point I heard the pit boss say, “Oh, there’s Purpose. He must have lost his bankroll. He’s down to betting quarters.” They never caught on. Caesars at that time had a no-barring policy. They were the classy joint back then.
RWM: I’ve read that you were the fastest counter on the team.
Darryl: I got really good at counting down decks. Part of it was smoke and mirrors, and didn’t translate into play on the table. I got to a point where it was really about how quickly you could spread the cards. Someone would say “go” with a stopwatch, and I’d spread the cards. I’d be looking at many cards at a time. I’d look at the last group of cards and say, “stop,” and fold the deck up in one big motion. What they didn’t know was I was still counting because I had taken a mental picture of the last quarter of the deck. I could regularly count a single-deck in 10 seconds.
RWM: Weren’t there races or contests with substantial money bet?
Darryl: There was one legendary contest between the West Coasters, and the East Coasters. This was shortly after the Atlantic City no-barring period. We were in Las Vegas. One of the East Coast guys had brought in a ringer. Although this guy never did that well in a casino, he could really count down a deck, especially six decks. We had an all-night session, and we had bet a lot of money on this. I was the reigning deck-counting champion, and Joe was the ringer newbie.
RWM: When you say you bet a lot of money, are we talking thousands?
Darryl: Yeah. Of course our pride was more important than the money. We’d been talking about it for weeks, and one morning about 4 a.m. we did it. It was a best two out of three, counting down six decks. We were counting Hi-Opt 1 with a side count of aces. We counted down the exact same shoe, and we didn’t reveal to the person going second how the first person had done. I counted first, and I was slow. I forget the exact time, but it was well over a minute. I also counted 28 aces. Yikes! Craig had bet a lot of money on me, and as Joe was counting down his first shoe, I pulled Craig aside and said, “I got 28 aces.” Craig figured he’s just pissed away a few thousand dollars. Sure enough Joe beat me.
RWM: Didn’t you have to give a count?
Darryl: I gave a count, which was right, and I said there were no aces left. I didn’t tell them what I actually counted. I told them what I thought was left.
RWM: How many cards were they holding out?
Darryl: It was six decks so they would take out six cards. The second round I count 26 aces, and again my time was really bad. I went to Craig and said, “There are seven decks there.” Joe was counting the same decks. He was getting the wrong ace count, but he wasn’t admitting it to anyone. Going into the third round I knew there were seven decks. I knew why the times were slow, so I wasn’t trying to push it. I won the last round because I had the correct count, and he was off by one because he was rushing so much. We finished, and we were celebrating. I turned to Joe and said, “Joe, how many decks are there?” Joe said, “That’s it! There are seven decks there!” It was quite funny. To this day they think we put that extra deck in there.
RWM: When you started with Ken, was he still using hidden computers?
Darryl: I came in right as the computer project using George ended. [George was the first blackjack computer developed by Keith Taft. Some of the details of his teaming with Ken Uston were discussed in my interview with Al Francesco] When I first joined we had BPs, and we just called plays for them. They had just come up with this idea where they would have the BP signal his hand to the play-caller by the way he held his cards. Not only were we required to count the cards, tell the BP how much to bet, and bet and play our own hand, but we had to read the signal from the BP, then signal back to him how to play his hand. We were also sometimes reading a first-baser as well. As it turned out, I was the only one on the team who was able to do this without major communication errors. They tossed the idea fairly quickly.
RWM: Why not have the BP just show you his cards?
Darryl: There was some heat on that, so they thought signaling was a better idea. Basically, all the counters started making a ton of mistakes. We weren’t winning any money, and they stopped that idea and got rid of all the counters except for me. One of the people fired from that team was Howard Grossman.
RWM: Howard now sells his services to the casinos as a counter catcher.
Darryl: He has for a long, long time. I think he pulled me up in casinos for years. He was bitter at Ken, and so he may have been bitter at me as well. I haven’t had a conversation with him in about 25 years.
RWM: Why was he bitter?
Darryl: I think he disliked Ken, as a lot of blackjack players did. Certainly anyone who wasn’t willing to overlook Ken’s gratuitous self-aggrandizement ended up clashing with Ken.
RWM: Why would that make him mad at you?
Darryl: I don’t know that he was mad at me, but I was an easy target. I had a look that I couldn’t disguise well. The fact that I was a member of the Uston team made me a good catch. He could show off to the casinos by nailing me more so than some guy who didn’t have an association with Ken.
Craig joined in August of ‘78, which was right after this mass firing. Craig and I were partners for most of my blackjack career, and he is the guy I most valued working with. They decided to do things differently, and it was basically a sham business model they came up with. Ken got big players who were willing to put up money. Ken, and his book, The Big Player, impressed them. He had this team of expert counters. We would call plays for these big players, and then split the money 50-50 at the end of every trip. One of the BPs that won a lot of money rented a Rolls Royce. He gave us the Rolls for the last week of the rental. It was 1977; I was 21 years old and driving around Las Vegas in a Rolls Royce with thousands of dollars in my pocket. Isn’t that why we came?
RWM: This is a pretty sweet deal for you guys. You take no loss but get half the win?
Darryl: My excuse for all this was I was 21 years old. What did I know? This was how I split from Ken the first time. There was one BP who lost money on a trip, and he talked Ken into carrying the loss over onto the next trip. Bill was really running the team at that point. Bill went for that for a couple trips, but we ended up stuck. At that point Bill said, “That’s it. We aren’t going to work with you anymore.”
RWM: Because he didn’t want to make up the loss?
Darryl: Right. In fact, the deal was that it was per trip and Bill had gone much further than the original deal called for. Of course the deal he had cut in the first place was completely bogus for the BP. [See Beyond Counting, pages 59-60.] At that point Craig and I said to the BP, “We’ll make your money back for you. And we’ll make 50% after that.” We got them even and that’s when we first started using a strategy of betting half of what we were up. Many of our plays were first-basers, so you had an edge all the time. We made some good scores that way. [A first-baser is a dealer who reveals his hole card when checking under a ten or ace for blackjack. Casinos stopped checking under tens in the mid ‘80s because of advantage players exploiting this weakness.]
At one point we brought Art in to BP for us. Art had gone back to school at this point. When we were working with these BPs our policy was to bet $200 and half of what we were winning. We wanted to do this now with our own money. In the past it was the BP’s money. So Craig, Pat, Art and I went to play first-basers for a weekend at the MGM in Reno. Art was going to BP, and the other three of us were going to read. Each play required two readers, because the dealer would work 20 minutes at one table, 20 minutes at a second table, and then take a 20-minute break. We needed a reader camped at each table, and Art would jump back and forth following the dealer. [The “reader” is the person who spots the hole card, and then relays that information to the BP.] We each put in $2,500 so we had a $10,000 bank. Until this point Art was very systematic, scientific, and conservative about the whole thing. We had to remind him that we wanted to really bet it up. Going into the very last play we were even. I wasn’t going to be reading the last session, but I went by the game to see how it was going. Art was betting five hands of the limit, which was $1,000. He won $40,000 on that play. I think this was the weekend where Art really found himself, because he later went on to set new standards for betting with both hands.
Ken was trying to come up with $25,000 as a bankroll. The world’s most famous blackjack player, and here he was trying to scrounge together a bankroll.
RWM: Why was there no bankroll?
Darryl: I didn’t have any money. Mark and Ron didn’t have any money. In the book Ken claims his money was all invested in this and that. The fact was that I never put any of the talent that I had to squeeze every last hundredth of a percentage point out of a blackjack game, into my personal finances. I made a lot of money, and pissed it away. Craig and I once figured out that we were each spending $30,000 a year on eating in restaurants. When I got into music I had less than nothing to lose. Unfortunately I didn’t learn how to handle my personal finances until I was a folk singer. Now I have a credit card and an IRA.
RWM: Was it just the four of you, or were there more on the team?
Darryl: There were others. There was a guy in Philadelphia who had told Ken the no-barring policy was coming. He had a full-time job in Philadelphia, and was a part-time counter. Ken needed to believe that our team members were better than anyone else was. A lot of the team still used the Revere Advanced Point Count. It was a three-level count, and everyone believed that using this stronger count was a lot better than any one-level count could be. There was an elite sense of what it took to win at card counting. Over the years this was revealed to be false. Now everybody uses the simplest count, the High-Low. Anyway, this guy wasn’t testing that well, and someone had seen him make some mistakes. We were having a meeting in the hotel room, and considering whether or not to let him play on the team. Ken and Ron decided they needed to talk in private, so they went into the closet. Then they called me in, and then Mark went in the closet. At some point the entire team was in the closet, and he was in the room with the entire bankroll spread out on the bed in cash. We all started laughing, and that was bad. We’re discussing his fate and he hears us all laughing. [In Two Books on Blackjack Uston relates this story of the closet on page 42. He calls the player “Ty.”]
RWM: Did he end up staying, or being voted out?
Darryl: He was voted off that bank, but then we made a bankroll and he was allowed to play on the next one. He had some restrictions on his earnings. I forget exactly, but I think it was based on him winning. Eventually he was brought back in, and did win some money. All along he was allowed to invest in the bankroll.
RWM: Sure, you guys needed the cash.
Darryl: Well, at some point Ken hooked up with Peter. I may have been the one to introduce them. I had met Peter in Las Vegas through the Czechs, and I had run into Peter in Europe in 1978. Now there was a match made in hell. Those guys had polar opposite ways of doing everything. I was caught in the middle. [Cathy Hulbert talks about this bankroll in Atlantic City in the book Gambling Wizards.]
By the way, I read what Cathy said about this bank in Gambling Wizards. I think that while it’s true that Ken didn’t want her to play because she was a woman, it was probably more true that he was concerned about the power balance. He needed to have control or he couldn’t be successful. It was a bit of a shell game he was pulling on everybody in terms of being the best blackjack player, etc. It was just not real. We had some power structure on the team that was somewhat democracy, and some dictatorship, but it was a manipulated dictatorship. I think if Cathy were a player, to the extent we were democratic, Cathy would have had a voice. Then Peter and Cathy’s voices together, well … Peter’s voice alone really threatened Ken. They had incredible clashes.
RWM: What were the arguments over?
Darryl: Anything. Peter liked to do things by the book. When you went to dinner with Peter he would break the bill down to the penny. He thought nothing of getting change for that nickel. He insisted on it. That couldn’t have been farther from the way Ken did things. They both wanted to be in control, but they couldn’t. They both saw an advantage to working together to build a larger bankroll, and bet more money. I wonder what was in it for Peter really? For Ken it really was about not having any cash.
RWM: In Two Books on Blackjack there was a big rivalry with the Czech team. Was there real competition there?
Darryl: Oh yeah. It was a friendly rivalry for the most part. In Two Books on Blackjack he talks about a four o’clock meeting that he called with the heads of all the teams. That may be true, but there were a lot of other things going on that didn’t involve him in such a pivotal way. He doesn’t mention any of those other things. The thing I loved about the Czechs at that time was, whenever someone made some large bet, the dealers would call out, “Checks play.” It was hilarious.
It was on this bank that I won my first 15 sessions, which pretty much puts to rest all the argument of, who is the best blackjack player in the world. [laughing]
RWM: You said this bank lasted two weeks.
Darryl: Yeah.
RWM: What was your payday? Did you make a bunch of money?
Darryl: It says in the book I made $11,000. I can’t argue with that since I don’t remember.
RWM: After Atlantic City did you and Ken play hole cards?
Darryl: I don’t think Ken ever got into hole cards.
RWM: He talks about it in his book.
Darryl: Bill had played some front loaders, but Ken didn’t really get into it. He also didn’t believe in shuffle tracking. You start to believe that you’re something special, and you get closed to new ideas. I think that’s what was going on with Ken. I’ve been talking to a screenwriter in Hollywood who is interested in doing a screenplay, partly on blackjack, and partly on the story of my life. It has made me reread Two Books on Blackjack, and I just read Million Dollar Blackjack for the first time.
RWM: After the first Atlantic City trip, did you go back to Vegas?
Darryl: I went back to playing with Craig in Vegas. I was only gone for two weeks. I think we went to Aruba in April of that year. They had early surrender, and it was another counter convention. It’s the first time I really got into shuffle tracking. I guess I got the concept from the failed computer team, but that’s the first time I remember putting it into action.
In Million Dollar Blackjack there was one style of play that was notable for its inclusion, and one notable for its absence. Front loading was notable for its inclusion. Nobody had really talked about it to the extent that Ken did in that book. That made a lot of people unhappy. The thing he left out was shuffle tracking, mainly because he completely missed the boat. Although he tried to make friends later for that, saying, “I didn’t put shuffle tracking into the book.” Like, “I can be trusted.” Thanks, Ken.
RWM: How long before the phone call came to go back to Atlantic City?
Darryl: August ’79. That was when I had the little apartment with him on the boardwalk. We played some blackjack, trained some people, and ran the team out of there.
Darryl: I think almost a million, but Ken lied in the book so we may never know. I think it lasted nine days.
RWM: I heard that although you won a ton of money, you somehow managed to lose three cars.
Darryl: You know, you work hard, you give up your early twenties to be one of the very best blackjack players in the world, and what do they remember you for?
RWM: Is it true?
Darryl: Well, it was over a five-month period.
Darryl: No. I think I left before that. At some point I came back to Caesars, and for one of the very few times in my life I gambled. I decided to blow $500. I went to the craps table, and bet $100 on the pass line and took odds. I turned the $500 into $1,000 and went to the baccarat table. I bet $500 per hand, and kept betting more as I won. They all knew that I was Darryl Purpose, professional card counter. They also knew that professional card counters don’t play baccarat or any other game unless they have an edge. It drove them nuts. I won 13 consecutive hands in baccarat. My last hand I lost some large bet and said, “Thank you very much,” and walked with $20,000.
RWM: They are probably still studying those tapes trying to figure out what you were doing.
Darryl: They probably are. But they had never barred me. Some time later I was back in the club. They asked me to leave, and I said, “No, you can’t ask me to leave. The rules say you must first ask the person not to play blackjack. If they play, then you can ask them to leave.” We disagreed over this, and they carried me out.
RWM: You did sue, and win. How much was the settlement, or are you barred from saying?
Darryl: Oh, basic stuff. We had them count down single decks, and six-deck shoes. Single decks we wanted them to count in fifteen seconds. Alan Woods said in Gambling Wizards that he thought some approximation of card counting was fine. We were the opposite of that, sticklers for detail and precision—sometimes to a fault. I understood that counting down a single deck didn’t necessarily translate into good table play. I would deal to them and count along, and ask them questions about how they were playing. I wanted to make sure they could have a comfortable, intelligent conversation about their play. They would have to make bets according to a prescribed bet plan. If I found it interesting to do so I would ask them how much they would bet if there was another deck in the discard tray, or what running count they would need to make a given play. I knew that not only could they make the right play, but also that they could easily calculate whatever the right play was at any time. They might make a play, and I would ask how close a call that was. They would describe the way they thought about calculating the true count.
RWM: How was Ken regarded as a player?
Darryl: Ken was mostly a figurehead on the team, the guy who could inspire people to get together and make some money. In the early months in Nevada, Bill was really running the team. On the second trip to Atlantic City, I was the one training people. Ken was a sharp guy, and a fine blackjack player. But his skill was getting other people to figure out the nuts and bolts of things. About a year after we played together he was involved in some bank, and I got a call from him asking me about betting levels and element of ruin. I told him he should read his book.
RWM: Did Ken win money on the A.C. banks? How was his personal winning record?
Darryl: Yeah, as he carefully points out in Two Books On Blackjack, he had the highest per-hour win on that trip, although I won the most money. The second trip, I’m not sure what his record was. I’d guess it was a small win, because if it were a big win, he would have talked about it a lot, and if it were a loss we would have talked about it. Pretty good bet—small win.
RWM: I read a magazine article that called you the best blackjack player in the world.
Darryl: [laughs] Yeah, well, when we were playing we really scoffed at those labels. What was important was getting the money. Let Ken be the best blackjack player in the world; that was fine with us. When I got into performing full-time my publicist and I were ruminating about what could be said about a guy who really had few accolades musically. It occurred to me that there was a time in my mid-twenties, a time when we pretty much knew all of the professional blackjack players in the world. It was a very small community, and at least a handful of them had told me they thought I was the best among them. So we tried saying in press releases, “Once known among his peers as the best blackjack player in the world.” It got me some gigs, and it was essentially true. Unfortunately some editors changed the wording slightly to “ex-world champion blackjack player,” and “The best blackjack player in the world,” as if there were some kind of competition that I’d won.
RWM: You’ve been on big teams, and small ones. How do you compensate people on teams?
My first experiment with it was in Europe. Cathy Hulbert was an investor in that bank, and I think she was the one who suggested that somebody should go along with me. My friend Nick thought that sounded like a good job, and that was the first of many trips we took together. We later went to Poland, the Caribbean, Korea, Cannes and some other places. He’s one of my favorite people, and probably the sharpest guy I know still out there playing.
RWM: What happened when you got to Europe?
My story was that I was a songwriter, and that I wrote commercials. I would bring my guitar down to the casino. There was a bar adjacent to the casino, and the waves would lap up on the sand. There was no wall. The bar was right on the beach. I have pictures of Sabrina and me, and the casino owner and his wife at that bar. I was playing guitar for them. None of them had any idea I was wired with this blackjack computer.
That reminds me of the time when Pat and I went to pick up Craig at the Reno airport. They used to let you go meet the arriving passengers at the gate. We had just come from a practice play, and were suited up. I went through security first, and I removed my batteries and put them on the conveyer belt. I thought I could get through with the computer and the battery holder strapped to my leg, but the alarm went off as I went through. The security guy and I looked at each other. I raised my pant leg, pointed to the empty battery holder and said, “It’s a battery holder,” as if, doesn’t everyone have one of these? He waved me through. Pat saw all this, and took of his entire unit and put it on the conveyer belt. As he passed by, the security guy said, “Oh, you must be with that other guy.”
RWM: Did you use disguises?
Darryl: I wanted to look foreign. I was using skin tint, and a lot of people thought I was Mulatto. I went to Atlantic City to the Claridge. I had a black three-piece suit, a man’s full-length mink, and my Mulatto look. I had a beautiful young woman on my arm, and I had a black doctor’s bag with $100,000 in cash in it. I went in and dumped the cash out on the table and said, “I came to play.” I won $150,000 in one session. At that time it was the largest session win of any of the professional blackjack players we knew. They gave me a limo stocked with Dom Perignon to take us to New York. We went to a Broadway show, and had dinner, all paid for by the casino. Makes for a fun story, but it was stuff I really didn’t care much about.
Darryl: $80,000 at the MGM in Las Vegas, also with Thor. It was graveyard. Graveyard was always kind of surreal. Walking out of the MGM busted as the sun was rising—It didn’t feel good. There was a very short shift boss named Vic Wakeman. He gave us a lot of heat, and I hated losing on his shift. We used to call him the “eye in the rug.”
RWM: Did you go back to blackjack after the march?
Darryl: No, not right away. Although we got a lot of support from people as we walked, some folks said, “You can’t do that in Russia.” So the next year we did it in Russia—from Leningrad to Moscow. Allan Afeldt, who organized the walk, wanted to have a musical event to celebrate the completion of the walk. The only problem was, there had never been an outdoor stadium rock concert in the Soviet Union before. Rock-and-Roll was still illegal there. But Gorbachev was talking about Glasnost, and things there were changing. Allan called the cable channel Showtime and asked, “If I get Bill Graham to produce it, will you put up $500,000?” He also called Bill Graham and said, “If I get Showtime to put up a $500,000, will you produce this concert?” They both said yes, so our band got to play with Santana, Bonnie Rait, & James Taylor in the first outdoor rock concert in the history of the Soviet Union. I did make three blackjack trips to Korea that year [1987] to support the band.
RWM: Have you ever been cheated?
Darryl: In Istanbul I played against a short shoe. The count was plus twenty-something when the cut card came out after the first shoe. It was a trackable shuffle, so I cut the little cards to the back. The count came out twenty-something again. I backed my bet down to the minimum and watched this for a couple more shoes, then left. Oddly, I’d won about 20 top bets in those first two shoes before I realized the deck was short.
RWM: What about in the US?
Darryl: Very early in my career I was playing $50 to $200 on a single deck in Lake Tahoe. I found a dealer named Pat at the South Tahoe Nugget who dealt a particularly great game. I played against him for forty minutes, and went through about $2,000. Later, I was talking to him at the bar. I told him my name was Scott Jackson, and I was a musician. He told me that his girlfriend was a singer, and invited me to his house for dinner. I took him up on it. His girlfriend cooked dinner, and the three of us hung out. At some point I didn’t feel like pretending to be someone I wasn’t, and I told him my real name was Darryl, and that I was a card counter. He went into his bedroom, and came out with a piece of paper. I recognized it as Lance Humble’s Hi-Opt 1. He started quizzing me about my numbers. I not only knew the numbers on the paper he had, but the revisions put out by Julian Braun later. So he got that I was real card counter. I ended up spending the night, and the next morning, after breakfast, he came to me with a deck of cards in his hand. He said, “You were honest with me, and I’m going to be honest with you.” He placed a ten and a six face up on the table. He had me turn them over, and tuck them under some chips. He reached over with his deck-hand, and when he turned them over it was a blackjack. He repeated this a few times. We became friends, and played blackjack together for some years. He is the same “Pat” I’ve been mentioning throughout the interview. I just sang at his wedding last year. To this day he says that he didn’t cheat me that day at the Nugget. I believe him.
RWM: Did you play in Korea?
Darryl: On the way to Sri Lanka we were in Korea. Somehow we ended up playing blackjack at the Disabled American Veterans Club. There were no disabled people, no Americans, and no veterans. As I understand it, this place was a front for a Yakuza-run casino, and meeting place. Art and I went in there and lost, and lost, and lost. It was a $300 limit, and we got stuck $20,000. We had a video camera with us. It’s the only time I’ve ever had video inside a casino, and Art and I were the only players. I was on one table, and he was on another. We lost all this money, and then went to Sri Lanka. After Sri Lanka we came back to Korea to win our money back. One day we just could not lose a hand. We started cashing out a few thousand at a time. That worked for a while, but then all of a sudden they didn’t have any more money. They owed us $14,000. Art and I left being owed this money.

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Very enjoyable read. Thanks Richard and Darryl.