I had a little time recently to put the sword to several books.
Joseph Wambaugh's recent series that began with "Hollywood Station". I've enjoyed Wambaugh's work. The Onion Field is a classic. Hollywood Station is Wambaugh's return to LA. It reads like an Ed McBain Precinct series or like Hill Street Blues. Lots of little vignettes. It’s clear he’s spent a lot of time with LA Cops of late – surprised because I know he lives in San Diego and hangs with some cops down there. The opening of the book is one of the strongest, must unsettling, openings I’ve read in awhile. And is typical with Wambaugh he captures what is right and wrong, good and bad, with police.
What’s wrong with the book is that these are characters, they’re caricatures. He paints with primary colors. Also, I’m left with a feeling that the plot was secondary to creating a canvas where he could splash all the little anecdotes of Hollyweird where they “keep it real”. Still worth reading. I enjoyed it and will continue the series.
Michael Connelly’s “The Overlook”. A Harry Bosch book. Not the best Bosch. This book is short, and the investigation unfolds almost on its own. Felt a little cheated. I expect more from Connelly.
Laura Lippman’s “Baltimore Blues”. I mentioned Laura Lippman in a previous post. She’s won more awards than perhaps anyone else. I’m not in love with her books, but they’re good. I’ll continue reading and see if I can appreciate Tess Monaghan as much as Kinsey Milhonne.
One last book: one that’s been on my shelf for sometime. Threw it into a bag to read while on a LONG train ride. Short book, written back in the late 80’s / early 90’s when someone could write a book of only about 60K words. What I can’t believe is that the book was published and actually part of a series. It’s filled with unrealistic people, unbelievable schemes, impossible science, and clichés. My favorite: the protagonist is captured by the antagonist for the second time (both times because of bad procedures on the part of the protagonist). Here’s a snippet of dialog from the book:
“You won’t get away with this.” I’d said it twice before. I was dumb enough to say it again.
It’s true! The character did say it twice before. I couldn’t believe it either time. To have a character utter to the villain, as the villain has the hero tied up, “you won’t get away with this” not once, not twice, but three times! And then, as an author declare it to be “dumb”. OMG!
Not sure where I’m heading next with my reading.
Joseph Wambaugh's recent series that began with "Hollywood Station". I've enjoyed Wambaugh's work. The Onion Field is a classic. Hollywood Station is Wambaugh's return to LA. It reads like an Ed McBain Precinct series or like Hill Street Blues. Lots of little vignettes. It’s clear he’s spent a lot of time with LA Cops of late – surprised because I know he lives in San Diego and hangs with some cops down there. The opening of the book is one of the strongest, must unsettling, openings I’ve read in awhile. And is typical with Wambaugh he captures what is right and wrong, good and bad, with police.
What’s wrong with the book is that these are characters, they’re caricatures. He paints with primary colors. Also, I’m left with a feeling that the plot was secondary to creating a canvas where he could splash all the little anecdotes of Hollyweird where they “keep it real”. Still worth reading. I enjoyed it and will continue the series.
Michael Connelly’s “The Overlook”. A Harry Bosch book. Not the best Bosch. This book is short, and the investigation unfolds almost on its own. Felt a little cheated. I expect more from Connelly.
Laura Lippman’s “Baltimore Blues”. I mentioned Laura Lippman in a previous post. She’s won more awards than perhaps anyone else. I’m not in love with her books, but they’re good. I’ll continue reading and see if I can appreciate Tess Monaghan as much as Kinsey Milhonne.
One last book: one that’s been on my shelf for sometime. Threw it into a bag to read while on a LONG train ride. Short book, written back in the late 80’s / early 90’s when someone could write a book of only about 60K words. What I can’t believe is that the book was published and actually part of a series. It’s filled with unrealistic people, unbelievable schemes, impossible science, and clichés. My favorite: the protagonist is captured by the antagonist for the second time (both times because of bad procedures on the part of the protagonist). Here’s a snippet of dialog from the book:
“You won’t get away with this.” I’d said it twice before. I was dumb enough to say it again.
It’s true! The character did say it twice before. I couldn’t believe it either time. To have a character utter to the villain, as the villain has the hero tied up, “you won’t get away with this” not once, not twice, but three times! And then, as an author declare it to be “dumb”. OMG!
Not sure where I’m heading next with my reading.