I travel to Las Vegas a couple times a year mainly to see shows. I feel so bad for all of the incredible artistic talent that is shut down right now. I assume most, if not all, shows are not hotel-casino owned. Are there any casinos that employ entertainment workers on their payroll, or are they all independent contractors that just rent space to perform? I heard gig workers could apply for unemployment insurance for the first time. Is that happening in Nevada now?
To answer your second question first, we turned to Troy Heard, founder of Majestic Repertory Theatre in Las Vegas.
“It all depends on the show,” he says. “I know some performers who were fortunate to have long-term contacts with production shows and were immediately eligible for unemployment. Then there are the actual ‘gig workers’ who are independent contractors. Traditionally, they're not eligible to receive unemployment, but the CARES Act created a proviso so they can now apply."
As for your first question, Cult Vegas author Mike Weatherford informs us, “The only show I can think of that’s still owned by the casino itself is Le Reve, and even there, the payroll might be through a different LLC and not Wynn [Resorts]. Most shows big and small are separate production companies that contract with the hotel, though there can be very small degrees of separation with what people think of as ‘house’ shows." He cited the Strat’s Celestia and Excalibur’s Tournament of Kings. “I'm not sure, however, of the breakdown on how many 1099 their performers versus employ them full-time on the payroll with benefits.”
We're in Phase One of the Nevada-reopening protocol and live entertainment is still off-limits.
But what of the future. “We will absolutely be reopening, keeping in line with the guidelines laid out by the governor,” Troy Heard says. “Majestic Rep is a scrappy storefront with a national reputation, so we're fortunate to have a lot of community support. We’re researching Best Practices being developed by other theaters around the world and applying it to our unique situation. We're used to being daring and innovative, so if that means we're creating premium shows for limited audiences, or even drive-up theater, we'll be the first to do it and with a gleeful edge.”
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