Why are the hotel-casinos no longer theme-oriented? Is it because it's politically incorrect? All the new hotels are cookie cutters. They all look alike.
It’s far more a question of fashion than politics, incorrect or otherwise, though the latter does rear its head on occasion, as you'll see.
Themed casinos represent a smallish slice of Las Vegas history, beginning with the Mirage in 1989 and ending with the ill-fated New Aladdin in 2000. (That Arabian Nights theme did, actually, become a political hot potato after 9/11.)
The theming trend roughly coincides with the era of family-friendly Vegas, about which you don’t hear much anymore. By the turn of the millennium, theming had been reduced to a sprinkling of exotic "atmosphere," as you see at Mandalay Bay and Bellagio.
The casino industry tends to operate by herd mentality and when Steve Wynn hit pay dirt with the Mirage, there was a rush to pump out themed casinos. The main imitator was Circus Circus Enterprises, which gave us Excalibur (1990) and Luxor (1993). Kirk Kerkorian also got into the act with MGM Grand, initially done in an Emerald City motif and heavily adorned with souvenirs of the Metro-Goldwyn-Mayer movie-studio’s history. Boyd Gaming’s The Orleans debuted in1996. One of the most heavily themed casinos, New York-New York, opened in 1997.
Then there was Sheldon Adelson’s Venetian (1999), designed in what the super-mogul described as “excruciating detail” in imitation of La Serenissima.
The problem with theming a casino is that, once the theme goes stale, it’s hellishly hard to remove. Just think of Circus Circus. Playboy magazine once termed Excalibur “tacky even by Vegas standards,” but how do you un-theme something that's been Camelot-ed to the nth degree?
There can, as noted in the question, also be unwanted cultural repercussions. The lion’s-mouth portal to MGM Grand had to be replaced, no doubt expensively, after international clients balked at using it. (In some cultures, entering the lion’s mouth equates with death.) Similarly, Luxor's pyramid was modeled on a tomb. Cultural problems ensued, resulting in the construction of a second more conventional hotel tower next door. When MGM added the Titanic and Bodies exhibitions to Luxor, it became Las Vegas’ only death-themed casino, more morbid connotations.
Also on the Strip, the wave of megaresorts that came limping through the Great Recession, mainly Aria and Cosmopolitan, were quite devoid of theming, preferring displays of public art and dramatic modernist architecture. And Resorts World was originally heavily Asian-oriented, but that was mostly stripped in the long planning and construction process.
Locals casinos also jumped onto the de-theming bandwagon. Station Casinos has been playing down its railroad theme for quite a while; Green Valley Ranch and Red Rock Resort did away with theming altogether.
The Mirage, of course, will be rethemed into a Hard Rock property, with its minimal rock 'n' roll orientation. And Fontainebleau will, at least according to the early glimpses we've seen, have a Miami aesthetic, but we'd hardly call it a theme.
As for all the old themed properties, as long as they continue to turn a profit, they'll continue to avoid a date with dynamite.
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Henry
May-25-2023
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rokgpsman
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William Nye
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Michael Taylor
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O2bnVegas
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Hoppy
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Luis
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alohafri
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VegasVic
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churchiec
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Diane Crosby
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Jun-07-2023
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