On our last trip, we finally got to the Neon Museum. Fascinating! We especially liked that the visitor center is in the lobby of the old La Concha Motel, which we always admired when it was on the Strip. Since it opened in 1961, we got to wondering if people of color, like us, could have stayed there when it opened. We asked at the museum if the motel was integrated when it opened, but no one knew. Do you?
We couldn't come up with any evidence on one side or the other, but we strongly suspect that La Concha was, in fact, open to everyone when it arrived on the north Strip next to the Riviera, with its paraboloid concrete roof and Mid-Century Modern design.
For one, after decades of segregation that gave Las Vegas the dubious distinction of being known as the Mississippi of the West, the majority of Strip properties agreed to open their doors to black clientele a year earlier in 1960.
The Moulin Rouge Agreement, named after the integrated 1950s' hotel-casino in Westside Las Vegas, was hammered out in March of that year by the NAACP, Las Vegas Sun publisher Hank Greenspun, and the casino power brokers. Only one day before a threatened citywide protest that the casinos knew would be very bad for publicity, the bosses agreed to end all Jim Crow policies, allowing all comers, not just whites, to gamble, eat, stay, and attend shows in every Las Vegas hotel-casino. Since La Concha opened a year after the Agreement, we can say with as much certainty as possible that it was never segregated.
The other reason that, even without the Moulin Rouge Agreement, there was no color barrier at La Concha is the fact that it was designed by Paul R. Williams, the first African-American member of the American Institute of Architects. With a practice based primarily in southern California, Williams was responsible for designing the homes of numerous Hollywood stars, plus many public and private buildings. Some of them, like La Concha and the more famous Theme Building at Los Angeles International Airport, were strikingly futuristic in their design. It seems highly unlikely that Williams would have designed a motel that could or would exclude people of color.
La Concha was a celebrity hotspot when it debuted, but as time went by, it was overshadowed by the towering new resorts that sprung up around it on the Strip. In 2003, owner Lorenzo Doumani, a family member of M. K. Doumani, the original owner, announced plans to demolish La Concha to make room for a new development.
The motel itself was razed, but the popularity and historical significance of the unique conch-shaped lobby ensured that one of the last vestiges of classic Las Vegas architecture was deconstructed, moved downtown over a five-day period in December 2006, and reassembled on the site of the Neon Museum.
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Ted Born
Oct-29-2023
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Jeff
Oct-29-2023
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