With all of the history there is to share about Las Vegas, I've often wondered why the city, or the Las Vegas Convention and Visitors Authority, hasn't created something like a Las Vegas History Museum. So much could be contained in a venue like this: historical pictures of the city and the casinos, old slot machines, showgirl costumes, etc. There could be a Rat Pack room, an Elvis room, a Liberace room, a Wayne Newton room, as well as many of the other famous entertainers that have headlined over the years. I've watched some of the museums and attractions close over the years and it seems that these things could be better supported if they were contained under one roof and made into a larger, main attraction. Have you ever heard of anything like this being considered?
No, we never have. Have any of you?
Las Vegas is generally allergic to looking backward and initiatives for creating museums don’t tend to gain much traction. The shining exceptions are the Neon and Mob museums. The public’s fascination with both have kept them going. The Mob Museum in particular came about because it was an obsession of then-Mayor Oscar Goodman, who had the foresight to recruit law enforcement and the federal government as partners, which really put it over the top.
By contrast, the private sector has had a dismal track record of preserving and/or celebrating Las Vegas history, specific or general. The most noteworthy such endeavor, the Mob Experience at the Tropicana, was underfunded and didn’t last long. Unless you count ventures into the public display of fine art by Wynn and MGM, casino companies and museums are like matter and antimatter, unable to inhabit the same space simultaneously.
With regard to the Las Vegas Convention and Visitors Authority, Senior Vice President of Communications Lori Nelson-Kraft points out that it is neither in the LVCVA’s charter nor remit to run museums. “Our mission, as carved out by the Nevada Legislature, is to market and sell Las Vegas to promote visitation. Outside of owning/operating the Las Vegas Convention Center, which was built to drive weekday visitation and owning transportation such as the monorail to ease congestion, we're not in the business of owning/managing other venues in Las Vegas.”
However, the LVCVA does have an online museum, the 75-year-old Las Vegas Archive, which boasts a full-time curator, Kelli Luchs. The Archive boats “nearly 7 million images, 11,000 pieces of film and video, and 1,300-linear-feet of manuscripts and artifacts.” You can see it from anywhere with an Internet connection and it’s open ‘round the clock, unlike a static museum. This may be the way of the future.
As Nelson-Kraft puts it, “This incredible collection is available to entities such as news outlets, documentaries, books, and exhibits via licensing agreements. This past year, the Archive collection celebrated its 75th anniversary and as part of that celebration, we curated several collections on our website to share with the public. These represent the most popular categories within our collection, and we allowed them to be downloaded by the public.”
As for the City of Las Vegas, we put your query to Communications Director David Riggleman, who answered with what you might call a parlay wager. “Las Vegas has a number of museums that are recognized as among the best in the nation. They include the National Museum of Law Enforcement & Organized Crime (commonly known as the Mob Museum), the Neon Museum, the Children’s Discovery Museum, and the Atomic Testing Museum.
“Mob and Neon have portions of their exhibits that mention the entertainment aspects of the city. In addition, a new Punk Rock Museum opened recently and the city is exploring the possibility of building an African-American Museum, which would also include mentions of entertainment.” He added, “There was an effort to start a Showgirl Museum, but my understanding is that organizers are still working out the financial aspects of that project, as well as a location.”
Yes, finances and locale are two tricky aspects for any museum, especially one with aspirations toward permanence.
Still, you hit on a salient point. While you see a historic slot machine here, an Elvis Presley souvenir there, there is no central gathering point. For a city as rich in lore as Las Vegas, it would seem imperative to celebrate such wealth, perhaps as part of Symphony Park (another Goodman initiative) or on the University of Nevada-Las Vegas campus.
However, until some movers and shakers of considerable means step forward to urge it into being, as has happened with various UNLV academic facilities, it's likely to remain just a dream.
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