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Question of the Day - 20 August 2018

Q:

I read in this issue of the Advisor that Britney Spears' new residency will earn her $500,000 per show and that Celine also makes half a million every time she steps out on the stage. How can the casinos make a profit when they pay so much, night after night, for entertainers?

A:

The Las Vegas entertainer residency has a long tradition of very high-paying gigs. The first that raised eyebrows throughout the land was Liberace. When he opened the Riviera in 1955, he was paid an unheard-of $50,000 a week to perform six shows. Mr. Showmanship lived and performed for decades in Vegas, driving onstage in Rolls Royces, draped in jewelry and fur capes, and banging away on rhinestone-studded pianos. By the ’80s, he was earning $300,000 a week, $60,000 per show.

Elvis, of course, raised the bar with his two-year residency at the Las Vegas Hilton. After that, other than what was known then as “headliners,” the residency mostly disappeared — until Céline Dion resurrected it and went on to claim the residency to end all residencies. Today she earns a half-million dollars every time she walks onto the stage at the 4,100-seat Colosseum at Caesars, built specifically for her show and which she’s sold out more than 1,000 times, playing to more than three million people. Yow!

Ticket sales no doubt cover most of Céline’s nut, but it’s not too tough to imagine that those three-plus-million people walking in and out of Caesars have further contributed to the bottom line. Take food alone — a dinner seating before the show and after the show for people who are attending it, plus a seating during the show for people who aren’t attending to squeeze into. Many show-goers stay in the hotel, and not just for the night. Casino revenues certainly benefit. And Céline has a trickle-down effect on the rest of the entertainment product.

Britney Spears’ ticket prices have been some of the highest in the Vegas residency arena, going over $800, with $2,500 for meet-and-greets. With all the ancillary revenues, it’s been reported that Spears has boosted Planet Hollywood earnings $20 million to $25 million during her time there. It shows just in her take per show: She started at $325,000, which has gone up $175,000 since her residency began.

One aspect of the Vegas residency that's often overlooked in the Céline, Britney, Elton, JLo, Mariah, Carlos, Pitbull, Bruno Mars, etc. firmament is the electronic dance music scene. World-class DJs, such as Calvin Harris, Afrojack, David Guetta, Avicii, and Tiësto, earn up to $300,000 per appearance at Hakkasan, LIGHT, and other trendy dance parties. And that’s just for one guy with a laptop — forget the lavish productions for Céline and the others. With lines of scene-makers waiting to pay through-the-roof admission fee and alcohol prices snaking all around the casino to get into these hotspots, "It's like printing money," one insider was quoted as saying.

And there are now new residency economics to consider: Lady Gaga will be guaranteed a reported million dollars per for her 74-show run at the 5,300-seat MGM Park Theater, which begins on December 28. Double the salary of Céline? That’s a whole other story — if anyone cares to submit a follow-up question.

And for a good look at the Las Vegas residency phenomenon — including the backstory on Céline, the luxury artist accommodations right under the stage at the Colosseum at Caesars, which artists are candidates for residencies, and the original Vegas residencies (Elvis, Cher, Freddie Prinz, and Diana Ross, among others) — pick up a copy of our book Rock Vegas—Live Music Explodes in the Neon Desert.

 

Update 01 January 1970

This is from XY, our crack Vegas Correspondent: FYI about Bruno, if you go to YouTube and type in "Honeymoon In Vegas -- Little Elvis," there's a very short clip from the movie. That little kid singing and looking like Elvis was actually a very young Bruno Mars!

 

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Comments

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  • Aug-20-2018
    Bean counters
    This relates to a recent post of mine on my blog. If these superstars generate so much cash for the casinos over and above the ticket revenue, then why not make the ticket prices reasonable rather than exorbitant, as they are now? I don't care WHO is performing, I'm not going to blow $250 to see somebody sing for eighty minutes.
    If it wasn't for the bean counters, Vegas casinos would treat shows like they used to--as loss leaders that attracted people to Vegas and to the individual casinos. I mean, yeah, sure, people are idiots and will fork over fistfuls of hundies to hear Britney warble, but will that continue? Aren't the insane ticket prices just another instance of slaughtering the sheep?

  • Jackie Aug-20-2018
    @Kevin
    Ever hear of the economic principle of supply and demand?  If you can only seat say  1,000 people at a show that 20,000 people want to see wouldn't you raise the price of a ticket that only 1,000 people could afford or drop it to a price that everyone could afford and watch scalpers sell theirs off for way more just before show time?  Why let scalpers get your profits for putting on the show?  That's just bad business.  Not to mention as a casino loss leader, just how much revenue do you think the casinos would gain from say those who paid $100 or less opposed to those who paid several hundred or more.  Not to mention that all entertainers have a short window of opportunity to cash in on their talents and therefore demand premium amounts to appear.  It's just life Kevin and I'm sure there is someone you would pay $250 to see or hear and for less time than eighty minutes.

  • [email protected] Aug-20-2018
    Everything but the wiggle
    The visitor pays taxes on food, entertainment, hotel, taxis and I am sure several other things I haven't even thought of. A long time ago there was even an "electric energy surcharge". Does anyone remember that?

  • Rick Sanchez Aug-20-2018
    $500K
    My question is, out of that $500k are the other performers paid from that or is Caesars on the hook for them also?

  • Aug-20-2018
    Every single time...
    ...I mention exorbitant prices, someone inevitably prattles about "supply and demand." Resort fees, parking fees, 6:5 blackjack, it's all about supply and demand, supposedly. NO. It's about price gouging. I mean, yes, the Venetian charges $1199 a night on New Year's Eve. And yes, people pay it. But is that actually good business strategy? Is it smart to rape the customer even if he IS willing to be raped?
    In fact, charging big $$$ for show tickets DOES detract from other revenue sources. A couple going to a show and paying $600 for the privilege will gamble less, may avoid the gourmet restaurants, etc. compared to the couple who pays $200. THAT'S economics---drastic show prices coupled with all of Vegas' other gouges just might make said couple spend their next vacation somewhere else altogether.